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Negre of the Cote d Or (Ghana) throwing a curse on the passage of his enemy. 1811
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Negre of the Cote d Or (Ghana) throwing a curse on the passage of his enemy. 1811
LSE4078916 Negre of the CA'te d Or (Ghana) throwing a curse on the passage of his enemy. 1811 by French School, (19th century); Bibliotheque des Arts Decoratifs, Paris, France; (add.info.: Negre of the CA'te d Or (Ghana) throwing a curse on the passage of his enemy. 1811); Photo eLeonard de Selva; French, out of copyright
Media ID 22313760
© Leonard de Selva / Bridgeman Images
Ghana Occult Science Rivalry Witchcraft
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EDITORS COMMENTS
The captivating print titled "Negre of the Cote d Or (Ghana) throwing a curse on the passage of his enemy. 1811" transports us to a realm where ancient African traditions and mysticism intertwine. The image, captured by French School in the 19th century, showcases an enigmatic figure from Ghana known as Negre. With the luminous glow of the moon illuminating his face, Negre stands tall with an air of authority. In this moment frozen in time, we witness a powerful ritual unfolding before our eyes. Negre's outstretched arms and intense gaze convey both determination and vengeance as he casts a curse upon his adversary's path. This engraving delves into the depths of witchcraft and occult science prevalent in West Africa during that era. The composition exudes an aura of mystery and intrigue, drawing us closer to unraveling its secrets. It serves as a reminder that cultural practices often transcend time and geographical boundaries, carrying with them stories passed down through generations. As we delve deeper into this artwork, we are reminded of the age-old rivalries that have shaped history across continents. Through Leonard de Selva's lens, we are transported back to 1811 when tensions ran high between individuals seeking power or revenge. This photograph print is not just a visual masterpiece but also offers us glimpses into forgotten narratives from Africa's rich heritage – tales woven within its intricate details capturing our imagination for centuries to come.
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