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Pilate Washing his Hands, 1830. Artist: JMW Turner
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Pilate Washing his Hands, 1830. Artist: JMW Turner
Pilate Washing his Hands, 1830. Based on Rembrandts work of the same title, painted in 1663, showing Pontius Pilate, Roman Governor of Judea, washing his hands of his decision to crucify Jesus. From the Tate collection, London
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Media ID 14882324
© Artmedia / Heritage-Images
Governor Governor Of Judea Guilt Guilty Hands Hygiene J M W Turner Jmw Turner Joseph Mallord William Pilate Pontius Pontius Pilate Rembrandt Harmensz Van Rijn Rembrandt Harmenszoon Van Rijn Rembrant Van Rijn Turner Washing Washing Ones Hands Of Something 1st Century Metaphor Print Collector7
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EDITORS COMMENTS
This print showcases JMW Turner's masterpiece, "Pilate Washing his Hands" created in 1830. Inspired by Rembrandt's painting of the same title from 1663, Turner depicts a pivotal moment in history when Pontius Pilate, the Roman Governor of Judea, washes his hands to absolve himself of guilt for crucifying Jesus. Housed in the prestigious Tate collection in London, this artwork exemplifies Turner's mastery of color and composition. In this oil painting, we witness Pilate standing at a basin with water pouring over his hands. The vibrant hues and intricate brushwork bring life to every detail - from Pilate's contemplative expression to the flowing robes that drape around him. Through this visual metaphor of washing one's hands of responsibility or guilt, Turner invites us to reflect on our own actions and their consequences. The juxtaposition between ancient Rome and nineteenth-century Britain is striking as it highlights timeless themes such as power dynamics, morality, and personal accountability. This piece serves as a testament to both Rembrandt's original work and Turner's ability to reinterpret classical subjects through his unique artistic lens. As we gaze upon this remarkable print captured by AccuSoft Inc. , we are transported back in time to witness an iconic moment that continues to resonate today. It reminds us that art has the power not only to capture historical events but also provoke introspection about our own choices and their impact on others' lives.
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