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Louis-Charles Gautier-Dagoty (aka Louis Gautier-d Agoty, French, 1746-after 1787)

Louis-Charles Gautier-Dagoty (aka Louis Gautier-d Agoty, French, 1746-after 1787)


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Liszt Collection

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Louis-Charles Gautier-Dagoty (aka Louis Gautier-d Agoty, French, 1746-after 1787)

Louis-Charles Gautier-Dagoty (aka Louis Gautier-d Agoty, French, 1746-after 1787) after Guercino (aka Giovanni Francesco Barbieri, Italian, 1591-1666). Return of the Prodigal Son, ca. 1775-1776. Four-color mezzotint printed in red, blue, and black, with hand coloring on heavy wove paper. Plate: 352 mm x 391 mm (13.86 in. x 15.39 in.). First of two states, without the added inscription plate identifying the artist

Liszt Collection of nineteenth-century engravings and images to browse and enjoy

Media ID 12692949

© Quint Lox Limited

1591 1666 Blue Expression First Two States Giovanni Francesco Barbieri Graphic Prodigal Son Return


EDITORS COMMENTS
This print showcases Louis-Charles Gautier-Dagoty's exquisite interpretation of Guercino's renowned masterpiece, "Return of the Prodigal Son". Created around 1775-1776, this four-color mezzotint is a testament to Gautier-Dagoty's exceptional talent and attention to detail. Printed in striking red, blue, and black hues on heavy wove paper, this artwork emanates a sense of depth and richness. The artist's meticulous hand coloring further enhances the overall beauty of the piece. Measuring 352 mm x 391 mm (13.86 in. x 15.39 in. ), it commands attention with its impressive size. This particular print represents the first state without an added inscription plate identifying the artist, making it a rare find for collectors and art enthusiasts alike. Its historical significance lies not only in its artistic merit but also as a glimpse into the creative expression during that era. The image itself portrays the emotional narrative of redemption depicted in Guercino's original painting. Through Gautier-Dagoty's skillful rendering, we witness the prodigal son returning home after years spent astray—a poignant moment captured with elegance and grace. As we admire this remarkable artwork from centuries past, we are reminded of how art transcends time and culture—speaking to our universal human experiences while showcasing individual creativity at its finest.

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