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The Conservative Programme, 1872. Artist: Joseph Swain
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The Conservative Programme, 1872. Artist: Joseph Swain
The Conservative Programme, 1872. This cartoon shows Benjamin Disraeli, the Conservative Leader of the Conservative Party. He is being questioned by Lord Abercorn about the Conservative policy. The caption gives in reply a snippet of one of Disraelis recent speeches given at Crystal Palace, in which he said that the Conservatives proposed relying on the sublime instinct of an ancient people, rather than formulating a hard and fast programme of policies. From Punch, or the London Charivari, July 6, 1872
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Media ID 14831580
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Beaconsfield Benjamin Benjamin Disraeli Conservative Conservative Party Disraeli Dizzy Earl Of Beaconsfield Government Heritage Image Partnership John Tenniel Joseph Swain Lord Lord Beaconsfield Policy Prime Minister Questioning Sir John Tenniel Swain Tenniel Viscount Hughendon Of Hughendon
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The Conservative Programme, 1872
EDITORS COMMENTS
is a captivating print that showcases the renowned artist Joseph Swain's talent for political satire. In this cartoon, Benjamin Disraeli, the influential leader of the Conservative Party during the late 19th century, finds himself under scrutiny by Lord Abercorn regarding his party's policies. The caption accompanying the image provides us with a glimpse into one of Disraeli's recent speeches at Crystal Palace. Disraeli's response to Lord Abercorn reveals his unique approach to governance – rather than relying on a rigid set of policies, he proposes harnessing "the sublime instinct of an ancient people". This statement encapsulates Disraeli's belief in drawing upon tradition and collective wisdom as guiding principles for conservative politics. The engraving itself is masterfully executed by Joseph Swain, who skillfully captures both the likeness and essence of these prominent figures. Through clever caricature and subtle details, Swain brings out their personalities and positions within British politics. This historical artifact not only serves as a testament to Disraeli's leadership but also highlights the significance of political cartoons in shaping public opinion during this era. It offers viewers an opportunity to delve into the intricate world of 19th-century British politics while appreciating artistry at its finest. As we examine "The Conservative Programme" we are reminded of how past leaders navigated complex challenges through innovative approaches. It prompts us to reflect on our own contemporary political landscape and consider whether there are lessons from history that can guide us towards effective governance today.
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