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The Times, 1762. Artist: William Hogarth
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The Times, 1762. Artist: William Hogarth
The Times, 1762. Satire on King George III and the Seven Years War. The burning city is an allegory for the state of Europe. William Pitt is depicted on stilts, fanning the flames of war. A fireman, possibly representing Pitts successor as Prime Minister, the Earl of Bute, or the King himself, tries to put out the fire. Meanwhile three men in windows, including two of Pitts supporters in the press, John Wilkes and Charles Churchill, try to interrupt the firemans efforts. From William Hogarth, by Austin Dobson. [Hachette Et Cie, Paris, 1904]
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Media ID 14972630
© The Print Collector
3rd Earl Of Bute Anti War Austin Dobson Burning Bute Chaos Chatham Dobson Earl Of Earl Of Bute Earl Of Chatham Firefighter Firefighting Fireman Georgian Henry Austin Henry Austin Dobson Hogarth John Stuart Pitt Prime Minister Seven Years War Stilts Stuart W Hogarth William 1st Earl Of Chatham William Hogarth William Pitt William Pitt The Elder Satirical
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The Times, 1762 - A Satirical Allegory of Europe in Chaos
EDITORS COMMENTS
. This print captures William Hogarth's iconic artwork, "The Times, 1762" which serves as a biting satire on King George III and the tumultuous Seven Years War. In this allegorical masterpiece, Hogarth depicts a burning city symbolizing the state of Europe during this period. At the forefront stands William Pitt, portrayed on stilts and fanning the flames of war. Pitt's successor or even the Earl of Bute (possibly representing Prime Minister) is seen desperately attempting to extinguish the fire. Meanwhile, three men in windows disrupt their efforts - among them are John Wilkes and Charles Churchill, both known supporters of Pitt. Hogarth's intricate details showcase his mastery as an artist while conveying political commentary through visual storytelling. The black and white monochrome adds depth to this 18th-century cartoon-like composition. Through this satirical lens, Hogarth criticizes not only British politics but also highlights broader themes such as power struggles and chaos within society. This engraving serves as a testament to Hogarth's skillful ability to blend art with political critique. Preserved by Heritage Images for historical appreciation rather than commercial use, this image offers us a glimpse into an era defined by conflict and social unrest. It reminds us that art has long been used as a powerful tool for expressing dissenting voices and shedding light on societal issues that continue to resonate today.
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