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Hall of Man sculptures by Malvina Hoffman
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Hall of Man sculptures by Malvina Hoffman
Double page spread from The Illustrated London News featuring editorial and photographs relating to the range of sculptures by the American female sculptor, Malvina Hoffman. The sculptures depicted all anthropological types of living races for the Field Museum of Natural History at Chicago. Hoffman was born in New York in 1887 and studied sculpture under Rodin. An example of her work in London is the group on Bush House in Kingsway dedicated to the friendship of English-speaking peoples"
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Anthropological Anthropology Chicago Hoffman Human Races Sculptor Sculptors Sculptures Malvina Racial
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EDITORS COMMENTS
Malvina Hoffman: A Pioneering American Sculptor and Her Anthropological Masterpiece for the Field Museum of Natural History, Chicago Malvina Hoffman (1887-1966), an American sculptor born in New York, left an indelible mark on the art world with her groundbreaking anthropological sculptures. Studying under the renowned French sculptor Auguste Rodin, Hoffman's unique artistic vision was shaped by her deep interest in human diversity and the desire to capture the essence of various racial types. This double-page spread from The Illustrated London News showcases Hoffman's extraordinary body of work, which was commissioned by the Field Museum of Natural History in Chicago. The sculptures, collectively known as the "Hall of Man," were created between 1933 and 1938 and represent an impressive range of anthropological types from living races around the world. The captivating photographs and accompanying editorial in this spread offer a glimpse into the creative process behind these masterpieces. Hoffman's meticulous attention to detail and her ability to convey the unique characteristics of each racial type have been praised by critics and scholars alike. One of Hoffman's most notable works outside of the United States can be found in London: the group on Bush House in Kingsway, dedicated to the friendship of English-speaking peoples. However, her most significant contribution remains the "Hall of Man" at the Field Museum, which continues to inspire awe and fascination among visitors. As we admire these stunning images, we are reminded of Hoffman's pioneering role in the fields of anthropology and sculpture. Her work not only captured the essence of human diversity but also challenged societal norms and broadened the scope of artistic expression. The "Hall of Man" stands as a testament to Hoffman's unwavering commitment to understanding and celebrating the rich tapestry of human history.
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