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Purgatorio, Canto 9 : Twilight, illustration from The Divine Comedy

Purgatorio, Canto 9 : Twilight, illustration from The Divine Comedy


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Purgatorio, Canto 9 : Twilight, illustration from The Divine Comedy

GIA745662 Purgatorio, Canto 9 : Twilight, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore, Gustave (1832-83); Private Collection; (add.info.: Dante Alighieri (1265-1321) Italian author and poet. Divina Commedia.); eGiancarlo Costa; French, out of copyright

Media ID 22716932

© Giancarlo Costa / Bridgeman Images

1265 1321 13 13o Xiii Xiiio Secolo Ciel Cielo Dore Gustave Duecento Incisione Letteratura Litterature Luna Lune Medioevale Medioevo Montagna Montagne Moyen Age Po And Xe9 Poesia Poesie Purgatoire Purgatorio Purgatory Quattordicesimo Secolo Rature Trecento Tredicesimo Secolo Virgilio 13 13th Xiii Xiiith Century 14 14o Xiv Xivo Secolo 14 14th Xiv Xivth Century


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EDITORS COMMENTS
This print, titled "Purgatorio, Canto 9: Twilight" is a stunning illustration from Dante Alighieri's epic poem, The Divine Comedy. Created by the talented artist Gustave Dore in 1885 and digitally colored later on, this engraving transports us to the mystical realm of purgatory. The image depicts a breathtaking scene where Dante and his guide Virgil find themselves amidst a celestial twilight. As they ascend the mountain of purgatory, their journey takes them through this ethereal landscape filled with awe-inspiring beauty. The moon shines brightly overhead as it casts its gentle glow upon the towering mountains and vast sky. Dore's meticulous attention to detail brings every element of this medieval setting to life. From the intricate engravings that depict each rock formation on the mountain to the delicate shading that captures the softness of twilight, every stroke adds depth and dimension to this visual masterpiece. As we gaze at this artwork, we can almost feel ourselves being transported into Dante's world – a world where poetry intertwines with spirituality and imagination knows no bounds. It serves as a reminder of both our mortal limitations and our capacity for redemption. This remarkable piece not only showcases Dore's artistic brilliance but also pays homage to one of Italy's greatest literary figures. It invites us to delve deeper into Dante Alighieri's profound exploration of sin, repentance, and salvation while marveling at Giancarlo Costa’s skillful preservation of history through digital restoration. In

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