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Wolverhampton - Distant view from Tettenhall: water colour painting, 1837 (painting)

Wolverhampton - Distant view from Tettenhall: water colour painting, 1837 (painting)


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Wolverhampton - Distant view from Tettenhall: water colour painting, 1837 (painting)

5899031 Wolverhampton - Distant view from Tettenhall: water colour painting, 1837 (painting) by Noyes, Robert (c.1780-1843); 35.6x25.4 cm; The William Salt Library, Stafford, UK; (add.info.: Showing a distant view from near the bottom of Tettenhall Rock, looking across a Race course (the Grandstand is shown in the distance), then quite devoid of houses. Showing, on the horizon from left to right, St. Peters Church, St. Georges Church, a factory chimney, and St. Johns Church. In the middle distance on the right is the toll gate at Newbridge. In the foreground on the left is a cottage at the turn to Tettenhall Church and palings guarding the village Lower Green. To the right, in the foreground, is a rock cliff face.); eWilliam Salt Library; English, out of copyright

Media ID 22336420

© William Salt Library / Bridgeman Images


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> Animals > Mammals > Muridae > House Mouse

> Animals > Mammals > Muridae > Peters Mouse

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> Arts > Landscape paintings > Landscape art > Landscape paintings

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> Arts > Portraits > Landscape paintings > Fine art gallery

> Arts > Realistic drawings > Landscape paintings > Fine art

> Europe > United Kingdom > Paintings

> Fine Art Finder > Artists > John Buckler

> Fine Art Finder > Artists > Robert Noyes


EDITORS COMMENTS
This watercolor painting, titled "Wolverhampton - Distant view from Tettenhall" takes us back to the year 1837. Created by the talented artist Robert Noyes, this stunning piece measures 35.6x25.4 cm and is housed in The William Salt Library in Stafford, UK. The artwork offers a distant view from Tettenhall Rock, showcasing a landscape that was once quite different from what we see today. At the time of its creation, the area depicted was devoid of houses and instead featured a racecourse with a grandstand visible in the distance. As our eyes wander across the horizon, we can spot several notable landmarks that still stand today. From left to right, St. Peter's Church, St. George's Church, a factory chimney, and St. John's Church grace the skyline. Intriguingly detailed elements fill both foreground and background scenes: on one side lies a charming cottage at the turn to Tettenhall Church with palings guarding Lower Green village; on another side stands an imposing rock cliff face. Noyes' masterful use of watercolors brings life to this historical moment frozen in time—a glimpse into Wolverhampton's past when nature dominated over urban development. Through this print captured by Bridgeman Images for Fine Art Finder, viewers are transported back centuries ago to witness how landscapes have evolved while appreciating Noyes' artistic prowess forever preserved within these strokes of color and light.

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