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Maurice Barres - caricature by Sirat
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Maurice Barres - caricature by Sirat
3784600 Maurice Barres - caricature by Sirat by Sirat, Joseph (1869-1937); (add.info.: Maurice Barres - caricature by Joseph Sirat. French writer and nationalist politician, with antisemitic views: 19 August 1862 - 4 December 1923. Caricature by Joseph Sirat, French illustrator: 1869 - 1936. Caption reads: At the coronation of Zola, he preferred that of the queen of Halles. ( Au sacre de Zola, preferait celui de la reine des Halles. ). Possibly referring to his refusal to the proposal to Pantheonise Emile Zola.); Lebrecht History; French, it is possible that some works by this artist may be protected by third party rights in some territories
Media ID 24675084
© Lebrecht History / Bridgeman Images
Antisemitism Dreyfus Affair Fran And Xe7 Pantheon Caricatures Francais
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EDITORS COMMENTS
The print captures a caricature of Maurice Barres, the French writer and nationalist politician known for his controversial views. Created by Joseph Sirat, a renowned French illustrator, this artwork reflects the political climate of the late 19th century. Barres was infamous for his antisemitic beliefs and played a significant role in the Dreyfus Affair. The caption accompanying the caricature reads: "At the coronation of Zola, he preferred that of the queen of Halles". This statement alludes to Barres' refusal to support Emile Zola's proposal to Pantheonise (honor) him after his death. The image portrays Barres as someone who prioritizes personal interests over national recognition. It highlights his disdain for Zola's ideals and suggests that he favored celebrating figures associated with popular culture rather than esteemed intellectuals like Zola. This photograph print not only serves as an artistic representation but also provides historical context about France during this period. It sheds light on the complex political landscape and ideological divisions prevalent at that time. As we examine this artwork today, it is essential to remember its significance in understanding both Maurice Barres' controversial legacy and broader societal attitudes towards politics and nationalism in 19th-century France.
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