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Alyn Shipton, 2017. Artist: Alan John Ainsworth

Alyn Shipton, 2017. Artist: Alan John Ainsworth


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Alyn Shipton, 2017. Artist: Alan John Ainsworth

Alyn Shipton Buck Clayton Legacy Band, 2017

Heritage Images features heritage image collections

Media ID 14829969

© Alan John Ainsworth

Ainsworth Alan John Alan John Ainsworth Bass Player Double Bass Double Bass Player Double Bassist Fingerboard Glasses Hillingdon Spectacles Stringed Instrument 2010s Alyn Jazz Musician Playing An Instrument Ruislip Shipton


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> Animals > Fishes > B > Black Bass

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> Arts > Portraits > Black and white portraits

> Arts > Portraits

> Arts > Street art graffiti > Portraits > Fine art


EDITORS COMMENTS
This print captures Alyn Shipton, a renowned jazz musician, in his element. Taken in 2017 by the talented artist Alan John Ainsworth, the image showcases Shipton's undeniable talent and passion for music. Dressed impeccably in a stylish suit, this distinguished Caucasian man exudes an air of sophistication as he skillfully plays his double bass. The monochrome background adds depth to the composition while allowing our focus to remain on Shipton and his instrument. His spectacles lend an intellectual aura to his appearance, hinting at the knowledge and expertise that he brings to his craft. Hailing from London, England, Shipton has made significant contributions to the jazz scene throughout the 21st century. As a member of the Buck Clayton Legacy Band, he continues to mesmerize audiences with his exceptional skills on stage. Ainsworth's portrait beautifully captures both the intensity and grace with which Shipton performs. The intricate fingerboard of his double bass is highlighted against its sleek black body - a testament to years of dedication and practice. This print serves as a timeless tribute not only to Alyn Shipton but also to British jazz musicians who have left an indelible mark on musical history. It is a striking representation of talent meeting artistry; capturing one man's love affair with music through visual storytelling.

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