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Cope, England, 1490 / 1517, with later restoration. Creator: Unknown
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Cope, England, 1490 / 1517, with later restoration. Creator: Unknown
Cope, England, 1490/1517, with later restoration. Robe worn by a priest or bishop, velvet with gold thread embroidery
Heritage Images features heritage image collections
Media ID 24168427
© Heritage Art/Heritage Images
Assumption Assumption Of The Virgin Bird Of Prey Cope Double Headed Eagle Eagle Ecclesiastical Dress Embroidered Fleur De Lis Fleur De Lys Gold Thread Haberdashery Holy Roman Empire Linen Metallic Thread Raptor Saints St Paul Thread Threads Velvet Vestment Vestments Needlework Santo Sewing
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EDITORS COMMENTS
This print showcases a remarkable piece of ecclesiastical dress from Cope, England, dating back to the late 15th or early 16th century. Created by an unknown artist and later restored, this robe was worn by priests or bishops during religious ceremonies. The opulent velvet fabric is adorned with intricate gold thread embroidery, showcasing the exceptional craftsmanship of the time. The vibrant colors and meticulous needlework bring to life various elements of Christian symbolism. A double-headed eagle, symbolizing power and empire, stands proudly amidst a flock of birds soaring above. The presence of a bird of prey adds an air of majesty and spirituality to the composition. Rich in heritage artistry, this cope features delicate fleur de lis motifs that evoke notions of purity and divinity. The Madonna herself graces this masterpiece with her divine presence as she ascends into heaven in the Assumption scene depicted on the garment. Silk cut and voided velvet linen appliqué silk combined with gilt metallic thread embroidery create a stunning visual effect that captivates viewers even centuries later. Metal spangles add an extra touch of brilliance to this extraordinary work. Displayed at the Art Institute Chicago's gallery space, this artifact serves as a testament to both English medieval artistry and religious devotion during that era. Its historical significance cannot be overstated as it represents not only British culture but also Christianity's influence throughout Europe during these transformative centuries.
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