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Cyanotype of a porter from the Hotel Palomares, 1885-1899. Creator: Unknown
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Cyanotype of a porter from the Hotel Palomares, 1885-1899. Creator: Unknown
This cyanotype depicts a blue-tinted image of an African-American man wearing a hotel porter badge. The man is seated in front of a window or doorframe and is wearing a three-piece suit, with a pocket square and puff tie. A metal badge reading [HOTEL / PALOMARES / PORTER] is fastened to the center of his vest. He is holding a large book in his left hand. The books spine is partially obscured from view but the visible letters spell [RIACHS / OPHET]. His right hand is resting on his right thigh and his gaze is diverted to the right. A wooden bureau partially visible on the left. The cyanotype is adhered to a matboard. There are no inscriptions on the print or the mat, front or back
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Media ID 22165563
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Badge Black History Cultural Heritage Cyanotype Heritage Literacy Nmaahc Porter Portraits Three Piece Suit Afro American
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EDITORS COMMENTS
This cyanotype print from the late 19th century showcases a distinguished African-American man, identified as a porter from the renowned Hotel Palomares. The blue-tinted image portrays him seated gracefully in front of a window or doorframe, exuding an air of sophistication and professionalism. The porter is impeccably dressed in a three-piece suit, complete with a pocket square and puff tie, reflecting his commitment to maintaining high standards while on duty. A metal badge proudly adorns the center of his vest, boldly displaying the words "HOTEL / PALOMARES / PORTER" symbolizing his role within this esteemed establishment. Intriguingly, he holds a large book in his left hand, its spine partially obscured but revealing letters that spell "RIACHS / OPHET". This detail hints at his dedication to education and literacy during an era when access to knowledge was limited for many African-Americans. The composition also includes glimpses of a wooden bureau on the left side, adding depth and context to the scene. The cyanotype itself is carefully mounted on matboard without any inscriptions or markings. This remarkable piece serves as both an artistic representation and historical documentation of African-American heritage in America. Preserved by the National Museum of African American History and Culture (NMAAHC), it offers us insight into not only this individual's occupation but also broader narratives surrounding black history during this pivotal period in our nation's past.
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