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Italian Renaissance ceiling painting, (1898). Creator: Unknown
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Italian Renaissance ceiling painting, (1898). Creator: Unknown
Italian Renaissance ceiling painting, (1898). Figs 1-4: From the choir-arch in S. Maria del Popolo at Rome, (by Pinturicchio.) Fig 5: From one of the Borgia chambers in the Vatican at Rome. Figs 6 and 9: Patterns from the arch-panels in the Certosa near Pavia. Figs 7 and 10: Borders round these panels. Figs 11 and 12: medallions from the arch-panels in S. Francesco at Lodi...With the ceilings of churches and palaces, whether arched or horizontal wood-ceilings, a rich field of activity was opened to the genius of artists. Plate 49 from " The Historic Styles of Ornament" translated from the German of H. Dolmetsch. [B.T. Batford, London, 1898]
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Media ID 19778116
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B T Batsford Batsford Bernardino Bernardino Di Betto Bernardino Di Betto Benedetto Di Biagio Bernardino Pinturicchio Bernardo Biagio Bt Batsford Ceiling Chromolithograph Dolmetsch Geometric Geometrical H Dolmetsch Heinrich Heinrich Dolmetsch Historic Styles Of Ornament Latin Max Seeger Painted Pintoricchio Pinturicchio Saints Seeger Stylised
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EDITORS COMMENTS
This print showcases an exquisite Italian Renaissance ceiling painting from 1898. Created by an unknown artist, this masterpiece is a compilation of various works found in different locations across Italy. The first four figures depict the choir-arch in S. Maria del Popolo at Rome, beautifully executed by Pinturicchio. Figure five presents a scene from one of the Borgia chambers in the Vatican at Rome, adding to the grandeur and historical significance of this piece. Figures six and nine exhibit patterns taken from arch-panels in the Certosa near Pavia, showcasing intricate geometric designs that are both mesmerizing and awe-inspiring. Figures seven and ten feature borders surrounding these panels, enhancing their visual impact. The medallions depicted in figures eleven and twelve originate from the arch-panels in S. Francesco at Lodi, further exemplifying the artistic brilliance prevalent during the Renaissance period. Ceilings of churches and palaces provided artists with a rich canvas for their creative expressions during this era. This particular print captures not only religious motifs but also architectural features such as floral patterns and stylized geometrical designs. Originally featured in "The Historic Styles of Ornament" translated from German author H. Dolmetsch's work, this lithograph offers a glimpse into Italian art history during the 15th to 16th centuries. With its vibrant colors, intricate details, and cultural significance, this print serves as a testament to Italy's enduring legacy as a hub for artistic expression throughout history.
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