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The landing of troops from New England on the island of Cape Breton to attack Louisbourg, 1747. Artist: James L. Brooks
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The landing of troops from New England on the island of Cape Breton to attack Louisbourg, 1747. Artist: James L. Brooks
The landing of troops from New England on the island of Cape Breton to attack Louisbourg, 1747. After J. Stevens. From The Connoisseur Volume XCII, edited by F. Gordon Roe. [The Connoisseur Ltd, London, 1933]
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Media ID 14964280
© The Print Collector
Arrival Arriving Brooks Canada Colonisation Colonist F Gordon Roe Frederic Gordon Frederic Gordon Roe Landing New England Nova Scotia Stevens The Connoisseur Troops Union Flag Union Jack Cape Breton Island James L Louisbourg Titled
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The Landing of Troops from New England on the Island of Cape Breton - A Historic Moment in Colonial Warfare
EDITORS COMMENTS
. This print captures a pivotal moment in history, depicting the dramatic landing of troops from New England on the island of Cape Breton to launch an attack on Louisbourg in 1747. The artist, James L. Brooks, skillfully recreates this significant event after J. Stevens' original work. The image showcases a bustling scene filled with action and anticipation. Men clad in military uniforms can be seen disembarking from ships onto the coastal shores, their determined expressions reflecting their mission's gravity. The Union Jack proudly flutters atop one vessel, symbolizing both British authority and unity among these colonial forces. The landscape itself is breathtakingly picturesque - Cape Breton's rugged beauty serves as a backdrop to this historic endeavor. As waves crash against rocky cliffs, it highlights the treacherous journey undertaken by these brave men who crossed vast seas to reach their destination. This print not only commemorates an important military campaign but also sheds light on early colonisation efforts in North America. It offers us a glimpse into the challenges faced by settlers as they sought to establish themselves amidst unfamiliar territories. Preserved within the pages of The Connoisseur Volume XCII edited by F. Gordon Roe and published by The Connoisseur Ltd. , London in 1933, this engraving continues to captivate viewers today with its rich historical significance and artistic brilliance.
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