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Studies of stucco decoration: various geometric patterns, pub
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Studies of stucco decoration: various geometric patterns, pub
Studies of stucco decoration: various geometric patterns; from L Art Arabe d apres les Monuments de Kaire; pub. 1877 (print). details of different stucco decoration designs seen by the artist on his travels through Egypt; from L Art Arabe d apres les Monuments de Kaire; illustrations of Islamic art, architecture, woodwork, tiling, interiors, furnitute etc.; copied by 19th century designers for carpet and wallpaper design etc. for the West; E mile Prisse d Avennes (1807-1879) was a French archeologist, Egyptologist, architect and writer of the nineteenth century
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Media ID 18269478
© Historica Graphica Collection / Heritage-Images
Complex Concentric Emile Prisse Davennes 1807 79 Geometric Design Mosaic Moslem Muslim North Africa Orientalism Star Stucco Tile Historica Graphica Collection
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This print showcases the intricate beauty of stucco decoration in various geometric patterns. Taken from the publication "L'Art Arabe d'après les Monuments de Kaire" in 1877, it offers a glimpse into the rich artistic heritage of Egypt. The artist, E mile Prisse d'Avennes, meticulously captured these stunning designs during his travels through the country. These stucco decorations served as inspiration for 19th-century designers who sought to incorporate Islamic art and architecture into Western creations such as carpets and wallpapers. Prisse d'Avennes's illustrations not only depict Islamic art but also encompass other aspects like woodwork, tiling, interiors, and furniture. The complexity of these designs is truly remarkable. From ceramics to mosaics, each pattern exhibits a harmonious blend of shapes and colors that create an enchanting visual experience. Concentric circles interwoven with stars form mesmerizing motifs that reflect the influence of Muslim culture in North Africa. This historic photograph belongs to the Historica Graphica Collection and serves as a testament to Emile Prisse d'Avennes's dedication to preserving cultural treasures through his work as an archaeologist, Egyptologist, architect, and writer. It encapsulates Orientalism at its finest by capturing the essence of Islamic decorative arts. As we admire this image today, let us appreciate how it bridges cultures across time and space while reminding us of the enduring beauty found within ancient traditions.
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