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China Clay - The Monk

China Clay - The Monk


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China Clay - The Monk

China Clay - The Monk. Florence Mary Anderson / Molly MacArthur (1893-1972) had two distinct styles of illustration. From the middle of the 1920s, she moved on from earlier highly-decorative fairy art to produce beautiful monotone woodcuts in a distinctly oriental style. This artwork (as seen here) was produced under the name Molly MacArthur, or F.M. MacArthur. Monk Ming-Kiang sits behind his bamboo screen listening to the sounds of the world outside invading his quiet world leaving him pondering whether he has made the correct choices in life.
1922

Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries

Media ID 18527788

© The Florence Mary Anderson Collection / Mary Evans Picture Library

Anderson Clay Florence Kiang Macarthur Ming Molly Monk Monochrome Monotone Peaceful Pondering Quiet Screen Solitude Woodcut 1922


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> Arts > Minimalist artwork > Monochrome artwork > Fine art

> Arts > Minimalist artwork > Monochrome artwork > Monochrome paintings

> Arts > Realistic drawings > Still life artwork > Fine art

> Mary Evans Prints Online > Florence Mary Anderson


EDITORS COMMENTS
This monotone woodcut print, titled "China Clay - The Monk," is a masterpiece created by the talented British artist Florence Mary Anderson, also known as Molly MacArthur, in 1922. During the 1920s, Anderson transitioned from her earlier decorative fairy art to this distinctly oriental style, producing exquisite monochrome woodcuts that showcased her unique artistic vision. In this artwork, we encounter Monk Ming-Kiang, a serene and contemplative figure seated behind a bamboo screen. The monk's peaceful expression reveals a deep sense of solitude as he listens intently to the sounds of the world outside, his tranquil sanctuary invaded by the hustle and bustle of life. The monk's pondering gaze suggests that he is reflecting on the choices he has made in life, seeking wisdom and inner peace in the midst of the chaos that surrounds him. Anderson's use of monochrome tones adds to the meditative atmosphere of the piece, creating a sense of harmony and balance that resonates with the viewer. The intricate details of the monk's robes, the delicate patterns of the bamboo screen, and the subtle textures of the woodgrain all contribute to the overall beauty and depth of this stunning artwork. As we gaze upon "China Clay - The Monk," we are transported to a quiet, contemplative space where we can reflect on our own choices and find solace in the simple pleasures of life. This artwork is a testament to Anderson's artistic prowess and her ability to capture the essence of the human experience through her unique and captivating visual language.

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