Home > Europe > United Kingdom > England > London > Art > William Hogarth
Marriage a la mode, 1745; plate I. Artist: Gerard Jean-Baptiste Scotin
Wall Art and Photo Gifts from Heritage Images
Marriage a la mode, 1745; plate I. Artist: Gerard Jean-Baptiste Scotin
Marriage a la mode, 1745; plate I.The impoverished Lord Squanderfield has arranged a marriage between his son and the daughter of a wealthy alderman and merchant. Lord Squanderfield points to his family tree to emphasize his noble lineage. On the opposite side of the room his son sits taking snuff and looking with vanity into an adjacent mirror
Heritage Images features heritage image collections
Media ID 15166934
© London Metropolitan Archives (City of London) / Heritage-Images
Arranged Marriage Family Tree Genealogy Guildhall Library Art Gallery Hogarth Lord Mirror Snuff Tobacco Vanity W Hogarth William Hogarth William Hogarth Hogarth William W Hogarth Gérard Jean Baptiste Scotin Squander
FEATURES IN THESE COLLECTIONS
> Arts
> Artists
> H
> William Hogarth
> Arts
> Artists
> S
> Gerard Jean Baptiste Scotin
> Arts
> Artists
> W
> William White
> Arts
> Artists
> William Hogarth
> Arts
> Minimalist artwork
> Monochrome artwork
> Fine art
> Arts
> Minimalist artwork
> Monochrome artwork
> Monochrome paintings
> Europe
> United Kingdom
> England
> London
> Art
> Paintings
> Europe
> United Kingdom
> England
> London
> Art
> William Hogarth
> Europe
> United Kingdom
> England
> London
> Boroughs
> City of London
> Popular Themes
> William Hogarth
EDITORS COMMENTS
This print takes us back to the 18th century, immersing us in the world of arranged marriages and social satire. Titled "Marriage a la mode, 1745; plate I" it is an engraving by Gerard Jean-Baptiste Scotin based on William Hogarth's famous painting. The scene depicts Lord Squanderfield, a financially struggling nobleman, proudly pointing to his family tree as he arranges a marriage between his son and the daughter of a wealthy alderman. The contrast between poverty and wealth is starkly portrayed through this union. On the other side of the room, we see Lord Squanderfield's son sitting with an air of vanity, taking snuff while gazing at himself in an adjacent mirror. This symbolizes his disregard for true love or genuine connection in favor of shallow self-admiration. Through this powerful image, Scotin captures not only the concept of arranged marriages prevalent during that era but also satirizes societal values surrounding lineage and materialism. The monochrome aesthetic adds depth to this intricate engraving, emphasizing both the elegance and harsh realities depicted within. Displayed at Guildhall Library Art Gallery, this artwork serves as a reminder of how art can reflect society's flaws while providing timeless commentary on human nature. It invites viewers to ponder themes such as class divide, familial expectations versus personal desires, and ultimately questions our own notions of love and marriage.
MADE IN THE USA
Safe Shipping with 30 Day Money Back Guarantee
FREE PERSONALISATION*
We are proud to offer a range of customisation features including Personalised Captions, Color Filters and Picture Zoom Tools
SECURE PAYMENTS
We happily accept a wide range of payment options so you can pay for the things you need in the way that is most convenient for you
* Options may vary by product and licensing agreement. Zoomed Pictures can be adjusted in the Cart.