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Everyman, ca. 1558. Creators: Pieter Bruegel the Elder, Pieter van der Heyden
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Everyman, ca. 1558. Creators: Pieter Bruegel the Elder, Pieter van der Heyden
Everyman, ca.1558
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Media ID 20573383
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Breugel Breugel Pieter Bruegel Bruegel Pieter The Elder Brueghel Brueghel Peter Brueghel Pieter The Elder Cock Cock Hieronymus Criminal Encampment Heyden Pieter Van Der Hieronymus Hieronymus Cock Hoarding Looting Peter Brueghel Peter Brueghel The Elder Pieter Pieter Breugel Pieter Bruegel I Pieter Bruegel The Elder Pieter Brueghel The Elder Pieter The Elder Pieter Van Der Heyden Plunder Plundering Possession Prig Robber Robbery Sack Stealing The Elder Theft Thieves Tug Of War Netherlandish
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Everyman, ca. 1558 - A Glimpse into the Chaotic World of Renaissance Thievery
EDITORS COMMENTS
. This print titled "Everyman, ca. 1558" takes us back to the 16th century, immersing us in a scene filled with intrigue and criminal activity. Created by Pieter Bruegel the Elder and Pieter van der Heyden, this engraving showcases their exceptional talent for capturing human emotions and societal dynamics. In this remarkable artwork, we witness an encampment of men engaged in various acts of theft and plundering. The composition is bustling with energy as these cunning individuals engage in a tug-of-war over stolen possessions while others hoard their ill-gotten gains. Each character's face tells a story; some exude confidence while others display guilt or apprehension. Set against the backdrop of Flanders, this Flemish masterpiece offers valuable insights into lawlessness during that era. It serves as a reminder that crime was not confined to modern times but has plagued societies throughout history. Preserved at the Metropolitan Museum of Art, this portrait captures the essence of Renaissance artistry through its intricate details and impeccable shading techniques. The collaboration between Bruegel the Elder and van der Heyden brings forth an image that transcends time, allowing viewers to immerse themselves in a world where roguery reigns supreme. As we gaze upon "Everyman" we are transported to an era where thieving hands were commonplace and moral
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