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The Milkmaid, c1658. Artist: Jan Vermeer
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The Milkmaid, c1658. Artist: Jan Vermeer
The Milkmaid, 1658. His vision is concentrated on a single sturdy figure. The still life in the foreground conveys domestic simplicity, and the light falling in from the left illuminates a bare white kitchen wall, against which the silhouette of the maid stands out. From the collection of the Rijksmuseum, Amsterdam
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Media ID 14841885
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Amsterdam Bonnet Bread Delft Domestic Jan Reyniersz Vermeer Van Delft Jan Vermeer Jan Vermeer Van Delft Johannes Vermeer Johannes Vermeer Van Delft Milk Milkmaid Pouring Servant The Netherlands Vermeer Zuid Holland
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The Milkmaid, c1658
EDITORS COMMENTS
by Jan Vermeer captures the essence of domestic simplicity in 17th century Holland. The focal point of the painting is a sturdy milkmaid, her occupation evident from her attire and the pitcher she holds. Standing against a bare white kitchen wall, illuminated by soft light pouring in from the left, she becomes a silhouette that stands out against the backdrop. Vermeer's attention to detail is remarkable as he portrays every element with precision. The still life in the foreground showcases various objects like bread and drink, emphasizing everyday life in rural Holland. The artist's use of color adds depth and richness to this rustic scene. The milkmaid herself exudes an air of serenity and concentration as she pours milk into a bowl. Her traditional Dutch clothing, complete with hat or bonnet, further emphasizes her role as a servant within this domestic setting. This masterpiece now resides in the collection of Rijksmuseum Amsterdam where it continues to captivate viewers with its timeless beauty. Vermeer's ability to capture ordinary moments and elevate them into extraordinary works of art is truly awe-inspiring. "The Milkmaid" serves as a testament to Vermeer's mastery of his craft and his ability to transport us back in time through his paintings. It remains an iconic representation not only of Dutch culture but also of the enduring power of art itself.
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