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Gateshead car park DP092796
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Gateshead car park DP092796
Trinity Square car park, Gateshead, Tyne & Wear, 11 May 2010. Digital photograph by Alun Bull (1969-'). Photographed as part of a project to explore the impact of the car on buildings and places, Trinity Square car park was recorded just two months before it was demolished. Designed by the architect Rodney Gordon, the huge seven-level car park, opened in 1967, was part of a complex that included a two-storey shopping centre, indoor market, pedestrian square, childrens playground and a restaurant at the very top of the car park. The structure became known locally as the Get Carter Car Park following its prominent role in the 1971 film Get Carter, whose director, Mike Hodges, was a friend of the architect
Historic England is the public body that champions and protects England's historic places
Media ID 10929011
© Historic England
Archive Picturing England Urban
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EDITORS COMMENTS
This print captures the iconic Gateshead car park, known as Trinity Square, in all its architectural glory. Taken by photographer Alun Bull in May 2010, this digital photograph was part of a project aimed at exploring the profound impact of cars on buildings and places. Trinity Square car park stood tall for over four decades before its eventual demolition just two months after this image was captured. Designed by renowned architect Rodney Gordon, this colossal seven-level structure opened its doors to the public in 1967. It formed an integral part of a larger complex that included a bustling shopping center, indoor market, pedestrian square, children's playground, and even a restaurant perched atop the car park. Locally referred to as the Get Carter Car Park due to its prominent appearance in the influential film "Get Carter" directed by Mike Hodges in 1971 – who happened to be friends with Rodney Gordon – Trinity Square became more than just a parking facility; it became an emblematic symbol of urban life. Through Alun Bull's lens, we are transported back in time to witness this architectural marvel before its demise. This print serves as both a testament to our ever-changing built environment and a reminder of how structures can leave lasting impressions on our collective memory.
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